While many of the primarchs were raised by those peoples they found themselves amongst after the Ruinous Powers scattered them to the corners of the galaxy, Konrad Curze grew to maturity in very different circumstances. Only later, when the doomed primarch surrendered his soul to the Ruinous Powers was his relentless drive for justice perverted into the form it now takes among his gene-sons. Ten millennia ago, the Night Lords' Primarch Konrad Curze was driven to acts of extreme violence by a deep-rooted desire to punish the guilty and impose order upon the anarchy in which he grew up. While such an approach might appear mindless, at one time it was different. They show no mercy whatsoever, eschewing all subtlety and guile for wanton bloodshed and destruction. The Night Lords are synonymous with terror and murder, for their favoured mode of warfare is the unfettered application of brutal, overwhelming force. The Night Lords are experts in the use of terror tactics to win battles and demoralise their foes before the main combat even begins. The Night Lords do not worship any of the four major Chaos Gods individually, but acknowledge them equally in the form of Chaos Undivided as they ruthlessly spread terror and fear amongst the galaxy's inhabitants. They betrayed the trust of the Emperor of Mankind during the Horus Heresy of the 31st Millennium and became one of the 9 Traitor Legions of Chaos Space Marines. He encourages Japanese people to fearlessly venture abroad without worrying about language insecurities or grammatical mistakes, just like Yasumura did.The Night Lords were originally the VIII th Legion of Space Marines created during the First Founding. Meshida views this as a fantastic example of an English mistake leading to comedic interactions with the audience. Learning from this, Yasumura began asking, 'What am I wearing?' and the audience naturally replied, 'Pants!' And that's how he managed to pull the crowd into his comedic dance. Since the transitive verb 'wearing' requires an object, the audience probably thought he was waiting for them to fill in the rest. Whenever Yasumura dropped his catchphrase 'I'm wearing!' the crowd would respond with a resounding 'Pants!' (In British English, 'pants' means underwear.) Just as everyone fell in love with Rowan Atkinson's character Mr Bean, non-verbal comedy relying on gestures has great potential in the UK.īy chance, Yasumura also formed a special bond with the audience through a grammatical error in his catchphrase. Meshida, a Japanese stand-up comedian with training experience in the United Kingdom, raises an interesting point. By revealing his undies from the get-go, he served up the perfect comedic concoction of surprise, eccentricity, relief (that he didn't actually drop his underwear), and a touch of Japanese exoticism that captivated his audience. That's what makes Yasumura's moves so ingenious. While sumo and public baths are part of everyday life in Japan, Western cultures tend to view nudity in public spaces as taboo. (© Sankei) The Potential of Gesture-Based Comedyīut how did Yasumura manage to win over the British crowd despite the language and cultural barriers? Dr Satoru Kimura, a professor at the International Culture Department of Japan Women's University and author of a book on the 'philosophy of laughter,' sheds light on the matter. Tonikaku Akarui Yasumura at a promotional event for the film 'Terminator Genisys' at Osaka Station on June 23, 2015.

Collected company eternal witness